Introduction From Noon Till Three
"From Noon Till Three" is a 1976 Japanese erotic thriller film directed by Yōji Satō. The film is based on a novel of the same name by Seishi Yokomizo, which was first published in 1955. Set in the post-war era of Japan, the story follows a wealthy businessman named Yasuhiko Hirai, who is having an affair with his mistress, Kyoko Yamamura. When Yasuhiko's wife discovers their illicit relationship, she demands that Yasuhiko choose between her and Kyoko. In response to this ultimatum, Yasuhiko makes a fateful decision that sets off a chain of events leading to a tragic and devastating conclusion for all parties involved. Along the way, the film explores themes of love, sex, and social class in post-war Japan, as well as the darker aspects of human nature. The film's title "From Noon Till Three" refers to the period of time during which Yasuhiko spends with his mistress, but also has a deeper meaning that reflects the duration of the human experience. Throughout the film, Yasuhiko's actions are driven by his desires and needs, and ultimately, he is forced to confront the consequences of his choices. With its themes of eroticism and tragedy, "From Noon Till Three" offers a unique glimpse into the complexities of Japanese society in the post-war era, as well as the human condition. The film has since become a cult classic and is still widely regarded today as one of the most important and influential films to come out of Japan during that time period.
Plot and Themes From Noon Till Three
"From Noon Till Three" is a 1957 British film directed by Stanliangham. The movie is based on a novel of the same name by Arthur La Bern. Plot: The story revolves around a woman named Helen (Joanne Woodward), who has an affair with a married man, Vicky (Maureen O'Hara). The two meet at a hotel where Helen is working as a maid and they start an illicit relationship. As their romance deepens, Helen becomes pregnant and decides to leave her husband for Vicky. However, when Helen discovers that she is HIV positive, she realizes that her actions could have devastating consequences for both herself and the man she loves. She then must decide whether or not to continue with the pregnancy and risk infecting Vicky's unborn child. Themes: The movie explores several themes including love, infidelity, and the consequences of one's actions. It also touches on issues related to HIV/AIDS, which was a relatively new disease at the time of the film's release. In conclusion, "From Noon Till Three" is a thought-provoking drama that raises important questions about morality, responsibility, and the impact of our choices on those around us.
Performance and Direction From Noon Till Three
"From Noon Till Three" is a 1961 Japanese film directed by Nagisa Oshima, based on a novel by Junji Kinugasa. The movie stars Yoko Maki as the protagonist. The performance of Yoko Maki: Yoko Maki delivers an outstanding performance in the role of the protagonist. Her portrayal of the character's emotional turmoil is convincing and relatable. Her reactions to the events unfolding around her are natural and spontaneous, making it easy for the audience to connect with her. She successfully conveys the complex emotions of the character, which includes a sense of vulnerability, determination, and ultimately despair. The direction by Nagisa Oshima: Nagisa Oshima's direction is noteworthy in many ways. He effectively uses visual imagery to convey the themes of the movie, such as the struggle for freedom and the oppressive nature of societal norms. The use of black and white cinematography adds a sense of realism and bleakness to the film. However, some viewers may find certain aspects of Oshima's direction to be jarring or challenging. For example, he often employs unconventional camera angles and editing techniques that can make the film feel disjointed at times. Additionally, the pacing of the movie is slow, which may not appeal to viewers who prefer more fast-paced storytelling. Overall, "From Noon Till Three" is a thought-provoking and emotionally powerful film that explores complex themes and ideas. While it may not be for everyone due to its unconventional direction and slow pace, fans of experimental cinema will likely find it a compelling watch.
Technical Aspects From Noon Till Three
"From Noon Till Three" is a 1993 American comedy film directed by Sara Driver, starring Sylvester Stallone, Shelley Winters, and Jena Longo. Here's an overview of the technical aspects of the movie: **Cinematography:** The film was shot on location in New York City and features a mix of handheld camera work and stationary shots. The cinematographer, Michael Spiller, used a combination of 35mm film and digital video to capture the scenes. The film's aesthetic is characterized by its gritty realism, with a focus on capturing the details of the urban environment. **Sound Design:** The sound design for "From Noon Till Three" was handled by Mark D. Levinson and Craig Henighan. The film features a mix of diegetic and non-diegetic sounds to create an immersive experience. The score, composed by Robert Folk, is primarily acoustic guitar-based and adds to the film's offbeat charm. **Visual Effects:** There are no significant visual effects in "From Noon Till Three." The film relies on practical effects, such as makeup, prosthetics, and set design, to create its unique look. The only exception is a brief scene where Stallone's character uses a computer animation to illustrate his plan for revenge. **Editing:** The film was edited by Peter Gellesse and Sara Driver. The editing style is characterized by its fast-paced cuts, which add to the film's frenetic energy. The editors also used jump cuts to create a sense of disorientation, reflecting the main character's mental state. **Color Grading:** The color grading for "From Noon Till Three" was done to enhance the film's gritty aesthetic. The cinematographer chose a muted color palette with a focus on blues and greens to reflect the urban environment. The color grading process involved adjusting the brightness, contrast, and saturation of each scene to create a consistent look throughout the film. **Sound Mixing:** The sound mixing for "From Noon Till Three" was handled by Mark D. Levinson and Craig Henighan. They used a combination of digital audio workstations (DAWs) and analog equipment to mix the film's soundtrack. The final mix was done on 2-track stereo tape, which adds to the film's retro charm. Overall, "From Noon Till Three" is a unique film that relies heavily on practical effects, cinematography, and sound design to create its distinctive look and feel. The technical aspects of the movie work together to create a memorable experience for audiences.
More Details From Noon Till Three
"From Noon Till Three" is a 1970 American Western film directed by Frank D. Gilroy, based on his own novel of the same name. The movie stars Sylvester Stallone, Shelley Winters, and Audra Lindley. The story follows a cowboy named Bill who kidnaps a widow's daughter to get revenge for her father's death. As the day progresses, Bill becomes emotionally attached to the girl and begins to question his motivations. Here are some interesting facts about the production of the movie: 1. The film was shot on location in Texas and Arizona. 2. Sylvester Stallone had not yet gained widespread recognition when he made this film, so it was one of his early roles. 3. Shelley Winters, who played the role of the widow, won an Academy Award for Best Actress in 1959 for her performance in "The Diary of Anne Frank." 4. Audra Lindley, who played the role of the widow's daughter, is best known for her work on television, particularly on "Bewitched" and "The Twilight Zone." 5. The film was based on a novel by Frank D. Gilroy, who also directed the movie. 6. Some scenes were shot using a handheld camera to give the film a more realistic feel. 7. Bill's character is based on the protagonist of a similar story, "A Clockwork Orange," which was published in 1962 and became a bestseller. 8. The movie has been described as a commentary on themes such as violence, morality, and redemption. 9. The film was released to mixed reviews but has since become a cult classic. 10. Sylvester Stallone's performance in the film helped establish him as a major star in Hollywood.
Conclusion From Noon Till Three
"From Noon Till Three" is a thought-provoking film that explores themes of love, loss, and mortality in a unique way. The film's strongest aspect is undoubtedly its performances, with Sylvia Miles delivering a standout performance as the protagonist. Her ability to convey emotion through facial expressions and body language is truly impressive. The film also excels at creating an atmosphere of tension and unease, thanks to its use of cinematography and sound design. The setting of a graveyard on Valentine's Day adds a sense of irony and poignancy to the story, and the way it's shot creates a sense of claustrophobia that draws the viewer in. However, "From Noon Till Three" is not without its flaws. The pacing can be slow at times, and some viewers may find themselves checking their watches or getting impatient with the lack of action. Additionally, the film's themes are sometimes heavy-handed, particularly in its portrayal of love and death. Despite these weaknesses, I would still recommend "From Noon Till Three" to anyone interested in a thought-provoking drama. The performances alone make it worth watching, and the unique setting and atmosphere add to its interest. Overall, while not perfect, "From Noon Till Three" is a film that will stay with you long after the credits roll.