Introduction Look Who's Talking Too
The beloved franchise of 'Look Who's Talking' has been delighting audiences for decades, and it's only fitting that we revisit this iconic series with 'Look Who's Talking Too'. The original film, released in 1989, was a surprise hit that brought together the unlikely pairing of an adorable baby boy named Mikey and his hilarious inner monologue. Voiced by Bruce Willis, Mikey's wisecracking humor and clever observations on everyday life quickly won over audiences. Directed by Amy Heckerling, 'Look Who's Talking Too' is the sequel to the original film and follows Mikey as he grows up and navigates his early years alongside his loving mother Mollie (Kirstie Alley) and father James (John Travolta). The story picks up where the first film left off, with Mikey now in kindergarten and learning valuable lessons about friendship, responsibility, and the importance of having a good sense of humor. With its relatable themes and hilarious script, 'Look Who's Talking Too' promises to bring laughter and joy to both old fans and new generations alike.
Plot and Themes Look Who's Talking Too
"Look Who's Talking Too" is a 2000 comedy film directed by Andy Tennant, starring Christina Ricci as Mollie, Danny DeVito as James Upton, and Heather Graham as Daphne. The film is a sequel to the 1989 film "Look Who's Talking". The plot follows Mollie, now an adult, who has been left by her boyfriend James for another woman, Daphne. Feeling betrayed and heartbroken, Mollie decides to give birth to their child on her own while still living with James. However, the baby is not ordinary as it begins talking in a wisecracking, foul-mouthed manner. As Mollie navigates her new life as a single mother, she also learns how to take care of her baby, who is determined to make his presence known and assert his independence. Meanwhile, James tries to win back Mollie by proving himself worthy of her love and attention. However, it's too late for him as Mollie has found happiness with her new life. The film explores themes such as single motherhood, heartbreak, and self-discovery. It also touches on the idea that children can be both a source of joy and a source of stress in one's life. The movie pokes fun at societal expectations of parenting and relationships while also exploring deeper emotional issues like love and betrayal. Overall, "Look Who's Talking Too" is a lighthearted comedy that provides plenty of laughs while also offering valuable lessons about the importance of self-love and independence.
Performance and Direction Look Who's Talking Too
"Look Who's Talking Too" is a 2000 American comedy film directed by Andy Tennant, starring Kirsten Dunst, Garry Shandling, and Susan Sarandon. The movie is a sequel to the original "Look Who's Talking", which was released in 1989. Actors: 1. Kirsten Dunst: She plays the role of Mollie Ubriacco, a teenage girl who is being followed by her father's sperm sample from the first film. Kirsten did an amazing job as a teenager dealing with these awkward situations. Her comedic timing and acting skills are impressive. 2. Garry Shandling: He reprises his role as James Ubriacco, Mollie's father. His character is once again comically portrayed as a bumbling, yet lovable, family man. Garry does an excellent job in this role, bringing both humor and heart to the film. 3. Susan Sarandon: She plays the role of Dr. Carrie Handman, a fertility specialist who helps Mollie's father conceive his child through artificial insemination. Susan adds depth to her character and has good chemistry with Garry Shandling on screen. Direction: 1. Andy Tennant: He directed both "Look Who's Talking" and its sequel, but unfortunately, the second film did not live up to the original in terms of quality. The direction feels more formulaic and predictable, lacking the surprise and charm of the first movie. 2. Script: While the script is entertaining at times, it often relies on cheap gags and over-the-top situations, which detract from the overall enjoyment of the film. In conclusion, "Look Who's Talking Too" has a good cast, but it falls short in terms of direction and script quality compared to its predecessor.
Technical Aspects Look Who's Talking Too
"Look Who's Talking Too" is a 1990 comedy film directed by Amy Heckerling. Here are some key technical aspects of the movie: Cinematography: The movie was shot using a combination of handheld cameras and Steadicam shots to create a more dynamic and energetic feel. The cinematographer, Jeff Jur, used a mix of close-ups, medium shots, and wide shots to capture the action and dialogue on screen. Sound Design: The sound design in "Look Who's Talking Too" is notable for its use of voiceover narration from the baby's perspective. The sound effects and music are carefully integrated into the soundtrack to enhance the comedic moments and create a playful atmosphere. Visual Effects: The visual effects in "Look Who's Talking Too" are primarily used to enhance the comedy and fantasy elements of the story. For example, the film features animated sequences that show the baby's thoughts and feelings, which were created using traditional animation techniques. The film also uses digital compositing to combine live-action footage with computer-generated imagery. Editing: The editing in "Look Who's Talking Too" is fast-paced and energetic, with quick cuts between scenes and a focus on visual gags and comedic timing. The editor, Debra Neil Fisherman, used her expertise to create a seamless flow of action and dialogue that enhances the overall pacing and humor of the film. Score: The score for "Look Who's Talking Too" was composed by Danny Elfman and features a mix of orchestral and choral elements. The music is often playful and upbeat, but also has moments of tenderness and heartwarming emotion. Color Palette: The color palette in "Look Who's Talking Too" is bright and vibrant, with a focus on bold colors like red, blue, and yellow. This creates a playful and energetic atmosphere that complements the comedic tone of the film.
More Details Look Who's Talking Too
"Look Who's Talking Too" is a 1990 American comedy film directed by Amy Heckerling and starring John Travolta, Kirstie Alley, and Danny DeVito. The film is a sequel to the 1989 hit "Look Who's Talking," which follows a baby named Mikey who narrates his experiences from inside his mother's womb. Here are some interesting facts about the production of "Look Who's Talking Too": 1. Cast: In addition to John Travolta and Kirstie Alley, the film features Danny DeVito as a supporting character. The role of James, the father of Mikey's twin siblings, was played by Bruce Willis. 2. Production Companies: The film was produced by TriStar Pictures, a subsidiary of Columbia Pictures, alongside Jim Henson Productions and Universal Pictures. 3. Script: Amy Heckerling returned to write and direct "Look Who's Talking Too," which is based on the 1989 original. The story follows Mikey's twin siblings as they begin to speak and express their own thoughts and opinions about the world around them. 4. Filming Locations: While most of the film was shot in Los Angeles, several scenes were filmed in New York City and at the Jim Henson Studios in Los Angeles. 5. Special Effects: To bring the talking babies to life on screen, a combination of live-action performances by the child actors and special effects were used. The Henson Creature Shop, led by Brian Froud, designed and built the costumes for the talking babies, while Stan Winston created the animatronic versions. 6. Sound Design: The film's sound design was crucial to making the talking babies believable. The team at Todd-AO Studios in Los Angeles spent months perfecting the way the babies' voices sounded when they spoke. 7. Marketing: "Look Who's Talking Too" received significant marketing attention, with a large advertising budget and tie-ins with various brands. The film's posters featured illustrations of the talking babies in bold colors and playful poses. 8. Box Office Performance: Despite receiving mixed reviews from critics, "Look Who's Talking Too" performed well at the box office, earning $40 million worldwide on a budget of around $20 million. 9. Cultural Significance: While not as beloved as the first film, "Look Who's Talking Too" remains an iconic comedy of the late 1980s and early 1990s. Its success helped establish John Travolta as a major Hollywood star and cemented Kirstie Alley's status as a talented comedic actress. 10. Legacy: In recent years, there have been attempts to remake or reboot "Look Who's Talking," but these efforts have not yet come to fruition. The film remains a nostalgic favorite among many who grew up in the 1980s and 1990s.
Conclusion Look Who's Talking Too
In "Look Who's Talking Too", we see the return of the iconic Mollie and her family, who are once again dealing with their own set of problems in this sequel to the original film. The movie tries to balance humor and heart, but unfortunately falls short on both counts. One of the strengths of the film is its nostalgia factor. Seeing the beloved characters from the first film return is a treat for fans of the original, and it's nice to catch up with Mollie and her family after all these years. The movie also has some genuinely funny moments, particularly when Cher's eccentric personality is on full display. However, the film's attempts at humor often fall flat due to its reliance on dated pop culture references and cheap slapstick comedy. Additionally, the plot feels overly convoluted and tries to cram too many characters into one story, resulting in a messy and disjointed narrative. The biggest weakness of the movie is its lack of heart. The original "Look Who's Talking" film had a certain charm and sincerity that this sequel completely lacks. Here, the characters feel more like caricatures than real people, and their relationships with each other are shallow and unconvincing. In conclusion, while "Look Who's Talking Too" has its moments of nostalgia and humor, it ultimately falls short due to its poor writing and lack of heart. The film feels like a cash-grab sequel that tries to recapture the magic of the original without putting in any real effort. If you're a fan of the first film, you might find some enjoyment here, but overall, this sequel is a disappointment.